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Perhaps.Luckily, Lambert and producer Fred Ball (Rihanna, The Carters) find their center and funnel that liquid toward a solid, catchy chorus worthy of an old parquet floor (other willowy dance tracks such as “Loverboy” and “Love Don’t” weren’t as lucky, and end up fizzling) and a retro-pulsating groove.In fact, Lambert’s fellow co-writers and producers Josh Cumbee (Sia, Armin van Buuren), Tommy English (Carly Rae Jepsen, The Knocks), Butch Walker (Weezer, Taylor Swift) and more, help make “Velvet” plush and poignant, as well as more textural (crushed velvet?!) Similar sentiments geared toward the idea of new attitudes and newer musical influences are glued onto bits of “Velvet” often enough that it becomes both a mantra and a tic.It’s odd that the freedom Lambert is looking to achieve, though, starts off with a brittle tremor not unlike Duran Duran’s “Notorious” album, all Jimmy Jam and Terrty Lewis synths-meet-Chic vibes. On the title track to his fourth studio album, 2020's magical and funky Velvet, Adam Lambert confesses that he's feeling nostalgic and suspects he's not the only one. Adam Lambert has made his new album “Velvet” a testament to finding his way, personally and professionally.

L’album inclut un titre avec la légende Nile Rodgers. A slow and spaciously atmospheric “On the Moon” holds a similar slither and sensuality in its grasp. 8 Either way, Adam Lambert has made “Velvet” a testament to finding his way, personally and professionally, in what is his most accomplished solo work to date. The former features an understatedly contagious chorus and an uneasily tense pronouncement of the self (“The stranger you are / They wanna keep you locked in the dark / The stranger you are / They’re gonna try to tear you apart”) that’s brassy, sassy and sensual. Only here, Lambert uses a dozen jazz and vocal soul runs, rhapsodizes about tripping on the moon, scratches up his pipes, and winds up sounding, sensationally, like Once liberated, Lambert rarely goes back to the hammy, glam-trap pop of his previous albums. and tougher than the singer’s previous outings.Where that texture and toughness gel most are on the two best tracks of “Velvet”: “Stranger You Are” and “On The Moon,” both vocalized in Lambert’s lowest register with grit and gristle. A few guitar tricks, a Satie-like piano, a set of background voices hewing close to his teary lyrical reading. Too much dazz-dazz-disco-jazz? Editors’ Notes Throughout his career, Adam Lambert has always been open to change. Perhaps tired of being Queen’s plus one, or smoothing over his rougher vocal edges, the 38-year-old out singer goes for something less glamorously amorously entertaining and more grimily soulful and sleekly funky than we’re used to hearing from him.Sorry to have to paraphrase a Queen song here, but Lambert wants to break free.“You try to put me in a box, make me something I’m not,” he coos in a slippery falsetto on the sumptuous R&B-inspired “Superpower,” while riding a thumbed bass line like a surfer crashing a wave.
“Closer to You” is another spare piece. After an aquatic house music intro, he announces that he wants to, “Rock something in my own special way, like its tailor-made for me.” He could just as well be talking about his career in covers — from “American Idol” to the Queen apprenticeship — or a relationship or his out and proud place in the world or his view forward as to where wants to go as an artist in 2020. Read Next: Jon Pardi Extends Publishing Deal With Sony/ATV Nashville Led by the fluidity of a fretless bass line and an ethereal ambience, only the Butch Walker-produced “Overglow” touches on the high-pitched usual of Lambert’s operatic approach to pop. Starting with his gold-certified debut, “For Your Entertainment,” and its Grammy-nominated single, “Whataya Want from Me,” he went on to release two additional solidly sparkly solo albums finding his place and flashy Gaga-lite pop sound.Through much of “Velvet,” his fourth solo album, however, Lambert doesn’t seem satisfied to play nice, anymore. Since first collaborating with Brian May and Roger Taylor during his almost-triumphant run on 2009’s iteration of “American Idol,” every That said, Lambert’s career is nothing to sniff at. Startubg with a piano line eerily similar to “Let It Be” — complete with a Ringo-inspired snap to its snare drum –  Lambert elegantly pleads, “All I want to be is brand new.”Lambert stakes his claim toward independence with the title track, which opens the album. Un date unique en France aura lieu à Paris à l’Accord Hotel Arena le 26 Mai 2020.
"Velvet" Released: March 20, 2020 Velvet (stylized in all caps ) is the fourth studio album by … Elsewhere, Lambert’s multi-tracked vocals — in-the-red and ever-so-slightly fuzz-toned — are front and center on “Comin’ in Hot,” “Ready to Run” and “New Eyes,” which finds the vocalist roughly grinding his way through the rock-y terrain of distorted guitars and crashing cymbals.The luscious, emotive “Feel Something” finds Lambert and his sound at their most naked and wet.