for the matte, it simply won't know you changed anything in the layer (because effects are rendered before transformations - including reference layers), and for the layer you applied it to - the effect will transform with the matte (because effects are rendered before transformations)the workaround for taking into account transform properties for matte or layer of raster images or video is to precompose the layer (leave all attributes) - now you got the switch, turn it on and everything should work. if you do change any of the transform properties of the matte or the layer - you need to take into consideration the render order. For other cases - keep reading.now, this will solve some of the cases but not most. I'm not debating whether or not some things are clunky to do in AE, but every renderer has his specific order and based thereon requires different procedures.
Matte paintings are the oldest and best technique for creating massive complex set extensions or backgrounds. if you do change any of the transform properties of the matte or the layer - you need to take into consideration the render order. Using luminance is handy when you want to create a track matte from a layer without an alpha channel, or a layer imported from a program that can’t create an alpha channel. that's why Set Matte works for shapes and text as is - for layer and matte.turn it on, and you can use solids same as text and shapes with the Set Matte as is for the layer and the matte.so, to conclude so far, if you change the transform properties of the matte or layer, the collapse switch on the layer you changed them in needs to be turned on for the Set Matte effect to work properly.that's why if you change any of the transform properties for the matte or layer that has not reversed the render order - it won't work. This means that as long as you toggle off the stretch matte to fit (which is on by default) and don't change any transform property of the layer or matte, including animation of course, or add any masks or effects To the matte - set matte works fine for any layer or matte. This wouldn't be any different in Nuke, Fusion and what have you.
You must be signed in to add attachments Ridolfi takes a look at the various matte types in After Effects such as alpha matte, inverted alpha matte, luma matte, and luma inverted matte.
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All rights reserved. For example, if your project contains layers A and B, where A is the track matte and B the fill layer, duplicating or splitting both of these layers results in the layer order ABAB.The alpha channel of the layer above (Window Lit 2) is used to set transparency for the Window Contents layer, so the scenery outside the window shows through the transparent areas of the windowpane.
(Tipp: Nutzen Sie die Suche Ihres Browsers um … the issue comes from the fact that we usually need a matte for animation purposes - aka travelling matte i.e you are moving the layer or matte to make it hide or show and not just using a still layer and still matte... so we usually need the option to change/animate transform properties for the matte or layer. copy pasting any compound effect (like set matte) will reset the matte used and you would need to pick it again. Here are some awesome matte painting tutorials to help you … This means that as long as you toggle off the stretch matte to fit (which is on by default) and don't change any transform property of the layer or matte, including animation of course, or add any masks or effects To the matte - set matte works fine for any layer or matte. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting.
as usual, if you changed any transform properties of matte or layer - turn the collapse switch for them.Have to agree with Roei. From set extensions to futuristic skylines, learn how to create a matte painting in Photoshop, After Effects, and other programs. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting.
There's really nothing wrong here, you just need to "think" yourself into it and work with the program's features, not against them.These replies are all well and good except that normal track mattes work fine and all users want is to be able to apply a track matte to multiple layers. To do that, you’ll duplicate the Window Lit layer and use its alpha channel.When you want one layer to show through a hole in another layer, set up a You define transparency in a track matte using values from either its alpha channel or the luminance of its pixels. obviously, you don't have to precomp a layer to which you did not change the transform properties...as for masks/effects applied to the layer - as of CC2017, all compound effects have the option to take into consideration the masks or masks and effects applied to the reference layerthis saves you the need to precompose if you have a mask or effect on the matte layer and can use it as is. For example, if your project contains layers A and B, where A is the track matte and B … It was exactly what i was looking for. There're two ways.
Intermediate shades should appear only where you want partial or gradual transparency, such as along a soft edge.After Effects preserves the order of a layer and its track matte after you duplicate or split the layer. the explanation was given for deep understanding of the feature, not for instructions how to use it. Duplicate the footage layer and bring the duplicate’s opacity back up to 100%.